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The painting exemplifies Manet's commitment to Realism in its detailed representation of a contemporary scene. Many features have puzzled critics but almost all of them have been shown to have a rationale, and the painting has been the subject of numerous popular and scholarly articles.<br/><br/> The central figure stands before a mirror, although critics—accusing Manet of ignorance of perspective and alleging various impossibilities in the painting—have debated this point since the earliest reviews were published. In 2000, however, a photograph taken from a suitable point of view of a staged reconstruction was shown to reproduce the scene as painted by Manet.
Henri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of Paris in the late 1800s yielded a collection of exciting, elegant and provocative images of the modern and sometimes decadent life of those times.<br/><br/> Toulouse-Lautrec – along with Cézanne, Van Gogh and Gauguin – is among the most well-known painters of the Post-Impressionist period.
Henri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of Paris in the late 1800s yielded a collection of exciting, elegant and provocative images of the modern and sometimes decadent life of those times.<br/><br/> Toulouse-Lautrec – along with Cézanne, Van Gogh and Gauguin – is among the most well-known painters of the Post-Impressionist period.
Henri Marie Raymond de Toulouse-Lautrec-Monfa or simply Henri de Toulouse-Lautrec (24 November 1864 – 9 September 1901) was a French painter, printmaker, draughtsman and illustrator whose immersion in the colourful and theatrical life of Paris in the late 1800s yielded a collection of exciting, elegant and provocative images of the modern and sometimes decadent life of those times.<br/><br/> Toulouse-Lautrec – along with Cézanne, Van Gogh and Gauguin – is among the most well-known painters of the Post-Impressionist period.
The Folies Bergère is a cabaret music hall, located in Paris, France. Established in 1869, the house was at the height of its fame and popularity from the 1890s' Belle Epoque through the 1920s' Annees folles.<br/><br/> The institution is still in business, and remains a strong symbol of French and Parisian life.